I’ve been on a roll lately for reading good scripts and The Way, Way Back kept the streak
going. It was laugh out loud funny (probably
because it’s totally my kind of humor and rocked the ‘80s) but I can’t help but
think there was more to it than that.
The voice was just plain fun. The tone of everything. Serious matters where discussed, events
happened, people changed, but despite the upheaval, it still read like a great
summer vacation. The basic idea is that
a 14 year old boy is dragged out to a beach vacation by his mother’s
boyfriend. He’s introverted and wants to
be with his father instead.
We meet a remarkable cast of characters that are distinct
and consistent and comfortable, like watching TV Land. Naturally, our protagonist comes out of his
shell and gets the girl, but it isn’t quite the way you would expect – if you
read straight through like you were watching and don’t spend too much time
analyzing. The flow of the story is
smooth and logical and while I caught myself wondering, about halfway through,
if anything was actually going to happen, I immediately countered with, ‘I don’t
care, it’s smooth reading and fun, so who cares?’
Sort of like summer vacation.
The writing is top shelf.
It’s easy to read without being stilted or condescending. The cultural references add tremendous flavor
while also lending a bit of street cred to the whimsical/reflective nature of
the story. It doesn’t take itself too
seriously and the visualizations are powerful.
Fat kid knocking loose the kids wedged in the water slide. Teenage boy singing his heart out on “I Can’t
Fight This Feeling Anymore.” Adults
arguing about whether Mr. Mister sang, “Kyrie Elision” or “Carry a laser.” An entire scene composed of break-dancing
moves. Pac Man at the pizza joint.
Totally awesome.
I think I’m going to read it again. Today.
I will certainly read it again next summer. I mean, I had those conversations with my
friends when I was 14. And I still sing
my heart out on “I Can’t Fight This Feeling.”
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