I’m reading a John Hart novel. I’m writing my own novel. (Not nearly as good as his.) It’s really showing me just how different
novels and screenplays are. He’ll spend
two paragraphs describing a scene, vividly and well, but in a screenplay I’d have
to do it with a single sentence, reduce it to the most visceral part. That’s the advantage and bane of many
pages. I’m a feature length script into
the book and have barely passed the introduction. It’s why books are almost always better than
films.
I’m playing a game with the book. It’s called, “How would I turn this
masterwork into a screenplay?” It’s
making me do the sort of analysis that high school English teachers dream
about. BTW – Mrs. Odell, if you are
reading this, I still don’t think you’re right about the black pot in Red Pony but I’m mature enough now to
let it go.
Novels are hard to transpose to screen. That’s why a lot of films start with the
words, “Based on the short story XYZ.” Last weekend I watched a movie based on a
children’s book. It was nothing like the
book. Really. Not the least bit. That’s okay.
Alexander’s Bad Day was still fun.
If you like Steve Carell, you will like the movie. If you don’t?
You won’t. I haven’t met anyone
who is indifferent about him (sort of like Woody Allen) so I don’t see a need
to comment on that further. Instead, let’s
look at book to screen conversion.
Similarities:
1 * Almost the same title.
* Has a character named Alexander.
Differences (described from movie):
1 * Doesn’t take place over a single day.
2 * Has magic involving birthday wish.
3 * Takes place in the burbs.
4 * Alex isn’t the guy with the bad day.
5 * Has crocodiles and male strippers.
6 * Is about Steve Carell.
It’s sort of like how The
Perfect Storm is based on a true story but 75% of it is a total
fabrication, including most of the conflict and character development.
I loved it because it was fun and exactly what was advertised. Nobody in it expected to win an Oscar. My wife
called it her new favorite movie.
Different isn’t bad when it’s done well.
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